Melanie Dishman's archive

It must be in the genes because Hallie Meyers-Shyer, the director of “Home Again,” is also the daughter of Nancy Meyers, otherwise known as the queen of romantic comedies — albeit upper middle class and beyond. Everything about a NM rom-com is pretty — pretty people leading pretty privileged lives in pretty homes — and now her daughter offers the same heaping helping of unreality.

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Taylor Sheridan is probably best remembered as the deputy in “Sons of Anarchy” who didn’t make it past the second season. It’s best to think of him as a writer and director now, and in his two previous films, “Sicario” about the drug trade and “Hell or High Water” with two bank-robbing brothers, Sheridan has solidified his credibility as both.

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Everyone has a story. That’s why the memoir business thrives. In recent times, it really can be traced back to Mary Karr’s “The Liar’s Club” (1995), a raw account of her childhood under the care of two very dysfunctional parents who happened to live right here in Southeast Texas. It sparked a memoir renaissance as knowns and unknowns decided they also had stories to tell. Karr milked two follow-ups, one of which, “Lit,” has been purchased by HBO with the hopes that it will be adapted for television.

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It’s not easy revisiting the past, but sometimes it’s necessary. At least that’s how director Kathryn Bigelow felt about the epic Detroit riot of 1967. Ignited by an afterhours raid on a black nightclub by the Detroit police force, it lasted for days.

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Where were you when the wall came tumbling down? In the fall of 1989, Reagan was in the Oval Office and Eastern Europe was in a free fall. Frankly, I don’t remember where I was when the Berlin Wall finally fell, but as the premise for this movie, it intrigued me from the beginning.

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