Oh, where to begin? Using the same formula as he did in “Valentine’s Day,” director Garry Marshall tries to recreate the same zeitgeist with another holiday. Let’s hope he skips the rest of them and moves on to another theme because I can tell you now there is no way I’m paying money to see “Labor Day.”
It’s too premature to pick Oscar winners, with most of the major contenders just now reaching theaters. But the list is beginning to take shape and already there are frontrunners in the major categories. Two words: “The Artist.” But I’ll get to that later.
Based on the memoir of Colin Clark, who was a 23-year old production assistant on a movie when he met Marilyn Monroe in 1956, this is faithful recreation of the era and the iconic star, thanks to a stunning portrayal by Michelle Williams.
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