Melanie Dishman's archive

Taylor Sheridan is probably best remembered as the deputy in “Sons of Anarchy” who didn’t make it past the second season. It’s best to think of him as a writer and director now, and in his two previous films, “Sicario” about the drug trade and “Hell or High Water” with two bank-robbing brothers, Sheridan has solidified his credibility as both.

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Everyone has a story. That’s why the memoir business thrives. In recent times, it really can be traced back to Mary Karr’s “The Liar’s Club” (1995), a raw account of her childhood under the care of two very dysfunctional parents who happened to live right here in Southeast Texas. It sparked a memoir renaissance as knowns and unknowns decided they also had stories to tell. Karr milked two follow-ups, one of which, “Lit,” has been purchased by HBO with the hopes that it will be adapted for television.

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It’s not easy revisiting the past, but sometimes it’s necessary. At least that’s how director Kathryn Bigelow felt about the epic Detroit riot of 1967. Ignited by an afterhours raid on a black nightclub by the Detroit police force, it lasted for days.

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Where were you when the wall came tumbling down? In the fall of 1989, Reagan was in the Oval Office and Eastern Europe was in a free fall. Frankly, I don’t remember where I was when the Berlin Wall finally fell, but as the premise for this movie, it intrigued me from the beginning.

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With the summer movie season halfway over, it’s time to look ahead. The temperature won’t move much through September and October, but the tone of movies will as the season moves away from the blockbusters and raunchy comedies to more dramas and serious fare with Oscar contenders competing for audience attention. A quick look reveals one trend toward horror films — not the usual stuff, but more psychological horror stories, with some major players.

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